Lincoln Mayorga, George Gershwin, Marni Nixon made "Shall we Dance: Let's call the whole thing off (arr. L. Mayorga)" available on March 1, 2012. The duration of Shall we Dance: Let's call the whole thing off (arr. L. Mayorga) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Shall we Dance: Let's call the whole thing off (arr. L. Mayorga)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lincoln Mayorga, George Gershwin, Marni Nixon's "Marni Nixon Sings Gershwin" album is number 1 out of 16. Based on our statistics, Shall we Dance: Let's call the whole thing off (arr. L. Mayorga)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Shall we Dance: Let's call the whole thing off (arr. L. Mayorga) by Lincoln Mayorga, George Gershwin, Marni Nixon to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lovers and Friends - 60 Second Edit | Johnny Pearson | B Minor | 0 | 10A | 77 BPM | ||
Suite For Violin And Piano / Slowly And Expressive (Sargent Johnson's "Mother And Child") | Linda Rosenthal, Lincoln Mayorga | C Major | 2 | 8B | 121 BPM | ||
Piano Concerto No. 1 "Scapegoat": Violente | George Lloyd, Martin Roscoe, BBC Philharmonic | D Minor | 2 | 7A | 133 BPM | ||
Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Fiddle-de-Bop | Linda Rosenthal, Lincoln Mayorga | C Major | 2 | 8B | 121 BPM | ||
ウィーンの想い出 | ウィリアム L ギロック, Yuko Mifune | F Major | 0 | 7B | 64 BPM | ||
Wedgwood Blue | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | B♭ Major | 2 | 6B | 128 BPM | ||
In Your Words | Hollers Gang | D♭ Minor | 2 | 12A | 86 BPM | ||
Ella dijo | NETWXO | F♯ Major | 2 | 2B | 184 BPM |
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