"L'Enfant et les sortilèges, M.71 / Première partie: "Ah! C'est Elle! C'est Elle!"" by Maurice Ravel, Pamela Helen Stephen, Elizabeth Futral, London Symphony Orchestra, André Previn was released on January 1, 1999. L'Enfant et les sortilèges, M.71 / Première partie: "Ah! C'est Elle! C'est Elle!" is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 32 in the song's album "Ravel: L'Enfant et les Sortilèges". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. L'Enfant et les sortilèges, M.71 / Première partie: "Ah! C'est Elle! C'est Elle!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Enfant et les sortilèges, M.71 / Première partie: "Ah! C'est Elle! C'est Elle!" by Maurice Ravel, Pamela Helen Stephen, Elizabeth Futral, London Symphony Orchestra, André Previn having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Ave verum corpus, K.618 (Arr. for Piano by Franz Liszt) | Wolfgang Amadeus Mozart, Mao Fujita | B Major | 0 | 1B | 69 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Three Piano Preludes: II. No. 2 | Frederick Delius, Eric Parkin | F♯ Minor | 1 | 11A | 73 BPM |
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