"St. John Passion, BWV 245, Part 2: No. 25a, Rezitativ and Chorus "Allda kreuzigten sie ihn" (Evangelist) - No. 25b, "Schreibe nicht: der Jüden König" (Turba) - No. 25c, "Pilatus antwortet" (Evangelist, Pilatus)" by Johann Sebastian Bach, Werner Güra, RIAS Kammerchor, Johannes Schendel, Akademie für Alte Musik Berlin, René Jacobs was released on March 25, 2016. With St. John Passion, BWV 245, Part 2: No. 25a, Rezitativ and Chorus "Allda kreuzigten sie ihn" (Evangelist) - No. 25b, "Schreibe nicht: der Jüden König" (Turba) - No. 25c, "Pilatus antwortet" (Evangelist, Pilatus) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 45 in Bach: St John Passion, BWV 245 (Johannes-Passion) [Deluxe Edition] by Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, St. John Passion, BWV 245, Part 2: No. 25a, Rezitativ and Chorus "Allda kreuzigten sie ihn" (Evangelist) - No. 25b, "Schreibe nicht: der Jüden König" (Turba) - No. 25c, "Pilatus antwortet" (Evangelist, Pilatus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, BWV 245, Part 2: No. 25a, Rezitativ and Chorus "Allda kreuzigten sie ihn" (Evangelist) - No. 25b, "Schreibe nicht: der Jüden König" (Turba) - No. 25c, "Pilatus antwortet" (Evangelist, Pilatus) by Johann Sebastian Bach, Werner Güra, RIAS Kammerchor, Johannes Schendel, Akademie für Alte Musik Berlin, René Jacobs is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Concerto in D Minor, BWV 974: 3. Presto | Johann Sebastian Bach, Víkingur Ólafsson | F Major | 4 | 7B | 116 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
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