On 2007, the song "Ode To Joy - Symphony No 9 In D Minor, Second Movement / Recessional By Beethoven" was released by Public Domain, Craig Riley. With Ode To Joy - Symphony No 9 In D Minor, Second Movement / Recessional By Beethoven being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wedding Music #1 by Public Domain, Craig Riley. The song's track number on the album is #20 out of 20 tracks. The popularity of Ode To Joy - Symphony No 9 In D Minor, Second Movement / Recessional By Beethoven is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Ode To Joy - Symphony No 9 In D Minor, Second Movement / Recessional By Beethoven by Public Domain, Craig Riley has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Ode To Joy - Symphony No 9 In D Minor, Second Movement / Recessional By Beethoven being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ubi caritas et amor Antiphona (Gründonnerstag) | Choir Of St. Abuscus | C Major | 1 | 8B | 114 BPM | ||
La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
Dans la joie de Pâques : Alleluia In Exitu | Dom Le Feuvre, Congrégation de Solesme, Choeur des Bénédictins de l'Abbaye de Kergonan | G Minor | 1 | 6A | 78 BPM | ||
Dominus vobiscum ... Deus, qui populo tuo | Gregorian Chant, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | G Major | 1 | 9B | 130 BPM | ||
Vivaldi's Winter | Nachtmusik | B♭ Major | 1 | 6B | 116 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
The Rite of Spring, Part 1: VII. The Sage | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Memorare | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | ||
An Scottish Dance / I Never Knew Ye Loved Me | Public Domain, Hesperus Early Music Ensemble, Grant Herried | C Major | 1 | 8B | 150 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | F Major | 1 | 7B | 76 BPM |
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