Heitor Villa-Lobos, Débora Halász's 'Cirandinhas: I. Zangou-se o cravo com a rosa? (Did the carnation get angry with the rose?)' came out on June 30, 1998. With Cirandinhas: I. Zangou-se o cravo com a rosa? (Did the carnation get angry with the rose?) being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villa-Lobos: Complete Piano Music, Vol. 3 by Heitor Villa-Lobos, Débora Halász. The song's track number on the album is #37 out of 48 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Cirandinhas: I. Zangou-se o cravo com a rosa? (Did the carnation get angry with the rose?) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Cirandinhas: I. Zangou-se o cravo com a rosa? (Did the carnation get angry with the rose?) by Heitor Villa-Lobos, Débora Halász has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cirandinhas: I. Zangou-se o cravo com a rosa? (Did the carnation get angry with the rose?) being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il neige | Henrique Oswald, Braz Velloso | E♭ Minor | 1 | 2A | 71 BPM | ||
Dansa brasileira | Camargo Guarnieri, Simón Bolívar Symphony Orchestra Of Venezuela, Maximiano Valdes | F♯ Minor | 3 | 11A | 102 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
Canarios | Gaspar Sanz, Thibault Cauvin | D Major | 4 | 10B | 136 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Tansman: Musique de cour d'après Robert de Visée: VIII. Finale | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Major | 2 | 11B | 119 BPM |
Section: 0.6582751274108887
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