"Ach, sollte doch die ganze Welt, TWV 1:32: I. Ach, sollte doch die ganze Welt" by Georg Philipp Telemann, Fabian Kelly, Neumeyer Consort, Felix Koch was released on January 14, 2022. The duration of Ach, sollte doch die ganze Welt, TWV 1:32: I. Ach, sollte doch die ganze Welt is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Ach, sollte doch die ganze Welt, TWV 1:32: I. Ach, sollte doch die ganze Welt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Ach, sollte doch die ganze Welt, TWV 1:32: I. Ach, sollte doch die ganze Welt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ach, sollte doch die ganze Welt, TWV 1:32: I. Ach, sollte doch die ganze Welt by Georg Philipp Telemann, Fabian Kelly, Neumeyer Consort, Felix Koch is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement | Cologne Chamber Orchestra, Georg Philipp Telemann | B♭ Major | 3 | 6B | 134 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Trumpet Concerto in D Major, "Estienne Roger 188": III. Presto | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | A Major | 4 | 11B | 122 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: I. Vivace - Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 145 BPM | ||
Flute Concerto in C Minor, QV 5:38: I. Allegro | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 2 | 3A | 96 BPM | ||
Concerto For Violin Concertato, Strings And Basso Continuo In A Minor, TWV 51:A1: Allegro | Georg Philipp Telemann, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Minor | 1 | 8A | 144 BPM | ||
Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": I. Ouverture | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | A Major | 2 | 11B | 110 BPM | ||
Telemann: Quintet for 2 Horns, 2 Violins and Continuo in F Major, TWV 44:7: I. Quintet | Georg Philipp Telemann, Nikolaus Harnoncourt, Hermann Rohrer, Horst Fischer, Concentus Musicus Wien | D Major | 9 | 10B | 110 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM |
Section: 0.6300129890441895
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