Lincoln Mayorga, George Gershwin, Marni Nixon's 'A Damsel in Distress: Nice work if you can get it (arr. L. Mayorga)' came out on March 1, 2012. With A Damsel in Distress: Nice work if you can get it (arr. L. Mayorga) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lincoln Mayorga, George Gershwin, Marni Nixon's "Marni Nixon Sings Gershwin" album is number 8 out of 16. Based on our statistics, A Damsel in Distress: Nice work if you can get it (arr. L. Mayorga)'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of A Damsel in Distress: Nice work if you can get it (arr. L. Mayorga) by Lincoln Mayorga, George Gershwin, Marni Nixon to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
We'll Gather Lilacs (From "Perchance to Dream") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | B♭ Major | 0 | 6B | 67 BPM | ||
Piano Concerto No. 1 "Scapegoat": Violente | George Lloyd, Martin Roscoe, BBC Philharmonic | D Minor | 2 | 7A | 133 BPM | ||
The Excursions of Mr. Brouček, JWI/7: "Introduction" | Leoš Janáček, Prague National Theatre Orchestra, Jaroslav Kyzlink | F♯ Major | 1 | 2B | 75 BPM | ||
3 Etudes, Op. 65: No. 3, Molto vivace | Alexander Scriabin, Elena Dorozhkina | F♯ Major | 2 | 2B | 70 BPM | ||
Walton : Incidental Music to Henry V : 'Touch her soft lips and part' | William Walton, Chamber Orchestra of Europe, Douglas Boyd | C Major | 0 | 8B | 77 BPM | ||
Sargent Rag | Remersaro Trío | A♭ Major | 3 | 4B | 145 BPM | ||
Jess Danger | Bev Saunders | E♭ Minor | 0 | 2A | 75 BPM | ||
Grieg: Lyric Pieces, Book II, Op. 38: No. 3, Melody | Edvard Grieg, Walter Gieseking | C Major | 1 | 8B | 69 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andante grazioso | Robert Schumann, Otto Klemperer, Annie Fischer, Philharmonia Orchestra | F Major | 0 | 7B | 84 BPM | ||
Copland: Appalachian Spring: VIII. Moderato - Coda | Aaron Copland, Aurora Orchestra, Nicholas Collon | C Major | 0 | 8B | 57 BPM |
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