Andreas Hammerschmidt, Jordi Savall, Hespèrion XX's 'Suite No. 8 in G Major for Winds a 5: I. Ballet' came out on October 2, 2020. With Suite No. 8 in G Major for Winds a 5: I. Ballet being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Hammerschmidt, Various Artists's "German Baroque - Deutsches Barock - Hammerschmidt to Telemann" album is number 16 out of 30. On top of that, United States appears to be the country where this track was created. Suite No. 8 in G Major for Winds a 5: I. Ballet is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite No. 8 in G Major for Winds a 5: I. Ballet by Andreas Hammerschmidt, Jordi Savall, Hespèrion XX to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Short Service: Nunc dimittis (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 74 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: VII. Gavotte | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Messe de minuit pour Noel, H. 9: Noel: Laissez paitre vos betes | Marc-Antoine Charpentier, Jane Archibald, Michele de Boer, Anne L'Esperance, Marion Newman, Nancy Reynolds, Colin Ainsworth, James McLennan, David Nortman, Giles Tomkins, Estaban Cambre, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 113 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 1. Assumpta Est Maria in Caelum | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Consommo la vita mia | Johannes Prioris, The Gesualdo Six, Owain Park | B♭ Major | 0 | 6B | 68 BPM |
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