The Horatians and the Curiatians: No. 28, The Battle of the Sword Fighters - Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin Information

Acousticness: 95%
Danceability: 52%
Energy: 6%
Instrumentalness: 0%
Liveness: 38%
Loudness: 43%
Speechiness: 42%
Valence: 17%
Popularity: 0%
Loudness: -33.991 dB

Summary

"The Horatians and the Curiatians: No. 28, The Battle of the Sword Fighters" by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin was released on August 8, 2013. With The Horatians and the Curiatians: No. 28, The Battle of the Sword Fighters being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 28 out of 31. In terms of popularity, The Horatians and the Curiatians: No. 28, The Battle of the Sword Fighters is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Horatians and the Curiatians: No. 28, The Battle of the Sword Fighters BPM

We consider the tempo marking of The Horatians and the Curiatians: No. 28, The Battle of the Sword Fighters by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

The Horatians and the Curiatians: No. 28, The Battle of the Sword Fighters Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ivan the Terrible, Op. 116, Pt. 1: Ivan's Tent I - Riot	Sergei Prokofiev, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Frank Strobel	B♭ Major	2	6B	80 BPM
Desplat: The Grand Budapest Hotel	Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France	F Major	2	7B	76 BPM
Jazz Suite No. 2: I. March	Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Steven Sloane	F Major	4	7B	117 BPM
Gayane Suite No. 3: II. Dance of the Comrades	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	D♭ Major	4	3B	106 BPM
Die tote Stadt: "Glück, das mir verblieb"	Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra	B♭ Major	1	6B	171 BPM
Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly	Nikolai Rimsky-Korsakov, Berlin Radio Symphony Orchestra, Michail Jurowski	B♭ Minor	2	3A	153 BPM
Legend of the Invisible City of Kitezh and the Maiden Fevroniya: Wedding Procession	Nikolai Rimsky-Korsakov, Berlin Radio Symphony Orchestra, Michail Jurowski	B♭ Minor	2	3A	153 BPM
Les pecheurs de perles (The Pearl Fishers), Act I: Au fond du temple saint	Georges Bizet, Bruno Lazzaretti, Roberto Servile, Berlin Radio Symphony Orchestra, Hanns-Martin Schneidt	E♭ Major	2	5B	87 BPM
Clowns and Kids Suite (arr. F. Strobel): II. Intermezzo	Alfred Schnittke, Frank Strobel, Berlin Radio Symphony Orchestra	C Minor	2	5A	112 BPM
On the Beautiful Blue Danube - Waltz Op. 314	Johann Strauss II, Hallé, Bryden Thomson	D Major	0	10B	81 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7085726261138916

End: 0.7145359516143799