Michael Riesman made "The Cockney Brothers" available on May 10, 2011. With The Cockney Brothers being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Woody Allen & la musique : de Manhattan à Midnight in Paris by Various Artists. The song's track number on the album is #8 out of 36 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, The Cockney Brothers's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since The Cockney Brothers by Michael Riesman has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Cockney Brothers being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Hudson Cycle | Nico Muhly | B♭ Minor | 1 | 3A | 142 BPM | ||
Tavener: The Protecting Veil: I. The Protecting Veil | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM | ||
Canticles of the Sky: I. Sky with Four Suns | John Luther Adams, Northwestern University Cello Ensemble, Hans Jørgen Jensen | G Major | 1 | 9B | 92 BPM | ||
Glassworks: VI. Closing | Philip Glass, Philip Glass Ensemble, Michael Riesman | E♭ Major | 1 | 5B | 135 BPM | ||
Raduysya (Rejoice): IV. And he returned to his own abode [Nun ist er in sein Haus zurückgekehrt] | Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen | F♯ Minor | 0 | 11A | 74 BPM | ||
Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Koslowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | ||
Atlas - Part 3: Invisible Light: Earth Seen From Above | Meredith Monk, Vocal Ensemble, Wayne Hankin | A♭ Major | 0 | 4B | 126 BPM | ||
Barbara Rose | Jonny Greenwood | C Major | 2 | 8B | 150 BPM | ||
Sorrow: II - Lento E Largo — Tranquillissimo | Henryk Górecki, Colin Stetson | B♭ Minor | 3 | 3A | 77 BPM | ||
Prospectors Arrive | There Will Be Blood | F Minor | 2 | 4A | 66 BPM |
Section: 0.8417162895202637
End: 0.8455936908721924