"Pueri Hebraeorum" by Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera was released on June 22, 2010. The duration of Pueri Hebraeorum is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Pueri Hebraeorum's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Victoria: Et Jesum, Motets for solo voice by Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego. The song's track number on the album is #22 out of 23 tracks. In terms of popularity, Pueri Hebraeorum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pueri Hebraeorum by Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pueri Hebraeorum being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psaume 128: Bienheureux est quiconque | Claude Goudimel, Claude Goudimel Ensemble, Christine Morel | G Minor | 2 | 6A | 135 BPM | ||
Valiant for Truth | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra, Richard Hickox Singers | C Minor | 1 | 5A | 123 BPM | ||
Judas mercator pessimus, ITV 59: No. 1, Judas mercator pessimus osculo petiit Dominum | Tomás Luis de Victoria, Pro Musica, Szabó Dénes | G Minor | 1 | 6A | 76 BPM | ||
Missa Orbis factor: I. Kyrie eleison | The Monteverdi Choir, John Eliot Gardiner | G Major | 0 | 9B | 127 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Matthew Brown, Hugh Cutting, Oliver Morris, James Beddoe, Andrew Nethsingha | D Minor | 0 | 7A | 74 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Adoramus Te Christe (DuBois) | Theodore Dubois, Benedictines of Mary, Queen of Apostles | E Minor | 1 | 9A | 85 BPM | ||
Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM |
Section: 0.8311669826507568
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