Claudio Arrau's 'Carnaval, Op. 9: No. 1, Préambule, in A-Flat Major' came out on February 21, 2013. The duration of Carnaval, Op. 9: No. 1, Préambule, in A-Flat Major is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Carnaval, Op. 9: No. 1, Préambule, in A-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in New York Philharmonic, Guido Cantelli, Claudio Arrau's "Grosse Pianisten - Claudio Arrau" album is number 1 out of 28. Carnaval, Op. 9: No. 1, Préambule, in A-Flat Major is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Carnaval, Op. 9: No. 1, Préambule, in A-Flat Major by Claudio Arrau to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Sonata in F Minor, L 187 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Iberia Book II: III. Triana | Isaac Albéniz, Claudio Arrau | F♯ Minor | 1 | 11A | 105 BPM | ||
Iberia - Piano (Pub.1906) - Book 1: 2. El Puerto | Isaac Albéniz, Alicia de Larrocha | D♭ Major | 1 | 3B | 89 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Jeux d'eau | Maurice Ravel, Werner Haas | D♭ Minor | 1 | 12A | 70 BPM |
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