- BPM
- 123
- Key
- F Major
- Camelot
- 7B
Four Madrigals On Renaissance Texts #1: To One That Desired To Know My Mistris - The Singers - Minnesota Choral Artists Information
- Acousticness
- 95%
- Danceability
- 49%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 5%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 31%
- Popularity
- 3%
- Loudness
- -22.025 dB
Summary
The Singers - Minnesota Choral Artists's 'Four Madrigals On Renaissance Texts #1: To One That Desired To Know My Mistris' came out on December 1, 2010. The duration of Four Madrigals On Renaissance Texts #1: To One That Desired To Know My Mistris is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Four Madrigals On Renaissance Texts #1: To One That Desired To Know My Mistris's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Singers - Minnesota Choral Artists's "Lauridsen: Mid-Winter Songs" album is number 9 out of 21. Based on our statistics, Four Madrigals On Renaissance Texts #1: To One That Desired To Know My Mistris's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Four Madrigals On Renaissance Texts #1: To One That Desired To Know My Mistris BPM
We consider the tempo marking of Four Madrigals On Renaissance Texts #1: To One That Desired To Know My Mistris by The Singers - Minnesota Choral Artists to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Four Madrigals On Renaissance Texts #1: To One That Desired To Know My Mistris Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | My Song in the Night | Tallgrass Chamber Choir, Elaine Hagenberg, Jacob Narverud | F Major | 2 | 7B | 107 BPM | |
 | Hypakoe (Kontakion of Pascha) | St. Symeon Orthodox Church Octet | F♯ Major | 2 | 2B | 116 BPM | |
 | O Nata Lux | Nordic Chamber Choir - Nicol Matt | D Major | 0 | 10B | 77 BPM | |
 | Sing, my Child - SATB | Sarah Quartel, The Oxford Choir | F Major | 1 | 7B | 138 BPM | |
 | Pilgrims' Hymn | Stephen Paulus, Utah State University Chamber Singers, Cory Evans | F♯ Major | 0 | 2B | 75 BPM | |
 | Ave Generosa | Hildegard von Bingen, Micaela Bottari, Olivia Dowden, Lucy Hole, Alex Meakem, Kate Miksits, Kamala Silvey, Danielle Verguldi, Camille Watson, James Jordan | G Minor | 0 | 6A | 87 BPM | |
 | 4 Shakespeare Songs: No. 2. Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 130 BPM | |
 | Wana Baraka | The Concordia Choir | D Major | 1 | 10B | 81 BPM | |
 | A Farewell - SATB | Elaine Hagenberg, The Oxford Choir | E♭ Major | 2 | 5B | 101 BPM | |
 | Salvation Is Created, Op. 25 No. 5 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | D Major | 0 | 10B | 129 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5873270034790039
End: 0.5913355350494385