"6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 6" by Friedrich Kuhlau, Lilja Steininger, Erika Le Roux was released on January 21, 2022. The duration of 6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 6 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. 6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 6's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sage und Mythos". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. The popularity of 6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 6 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Variations on "Euryanthe", Op. 63 (After Weber's J. 291): Var. 6 by Friedrich Kuhlau, Lilja Steininger, Erika Le Roux having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Flight Of The Bumble-Bee, From "The Tale Of Tsar Saltan" | Alexander Gindin | G Minor | 2 | 6A | 100 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 93 BPM | ||
C:11 Somebody to Love | Phillip Keveren, Freddie Mercury, Mercury, Robert Thompson | C Minor | 1 | 5A | 124 BPM | ||
Fra Gudbrandsdalen, Op. 9: IV. Dei som drog i krigen 1807 | David Monrad Johansen, Rune Alver | F Minor | 1 | 4A | 142 BPM | ||
L'adieu (the Farewell) | Diane Hidy & Keith Snell | A Minor | 1 | 8A | 80 BPM | ||
Fruhlingsstimmen (Voices of Spring), Op. 410 (arr. for 2 pianos) | Anonymous, Johann Strauss II, Waltraud Wulz, Antoinette van Zabner | E♭ Major | 1 | 5B | 95 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor | Tiffany Poon | D♭ Major | 2 | 3B | 79 BPM | ||
18 Études, Op. 109: No. 8, Agitato | Franz Burgmüller, Carl Petersson | E Minor | 2 | 9A | 101 BPM | ||
Piano Sonata No 16 in C Major K 545 Sonata Facile, Pt. 3 | Richard Xavier | C Major | 6 | 8B | 132 BPM |
Section: 0.7329063415527344
End: 0.7366921901702881