"Tristan und Isolde: Act I: Prelude" by Seattle Symphony Orchestra was released on September 4, 2012. Tristan und Isolde: Act I: Prelude appears to be safe for all ages as it is not explicit. This song is part of Wagner: Orchestral Excerpts, Vol. 3 by Seattle Symphony Orchestra. The song's track number on the album is #3 out of 6 tracks. Tristan und Isolde: Act I: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde: Act I: Prelude by Seattle Symphony Orchestra has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde: Act I: Prelude being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Cello Concerto in E Minor, RV 409: II. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 2 | 9A | 145 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Seattle Symphony Orchestra, Gerard Schwarz | A♭ Major | 5 | 4B | 78 BPM | ||
Mosaics | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 1 | 7B | 76 BPM | ||
The Snow Maiden Suite: II. Danse des oiseaux (Dance of the Birds) | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Minor | 3 | 6A | 136 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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