"Souvenir d'un lieu cher, Op. 42, TH 116: No. 2, Scherzo" by Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg was released on October 1, 2006. The duration of Souvenir d'un lieu cher, Op. 42, TH 116: No. 2, Scherzo is about 3 minutes long, at 3:15. Based on our data, "Souvenir d'un lieu cher, Op. 42, TH 116: No. 2, Scherzo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Tchaikovsky: Violin Concerto". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. The popularity of Souvenir d'un lieu cher, Op. 42, TH 116: No. 2, Scherzo is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Souvenir d'un lieu cher, Op. 42, TH 116: No. 2, Scherzo by Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 2 | 11B | 105 BPM | ||
Spohr: Duo Concertante in D Major, Op. 67, No. 2: III. Rondo - Vivace | Louis Spohr, Itzhak Perlman | D Major | 1 | 10B | 83 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
Piano Sonata No. 14 in A Minor, D. 784: III. Allegro vivace | Franz Schubert, Maria João Pires | C Major | 1 | 8B | 64 BPM | ||
Violin Concerto in A minor, Op.53: 2. Adagio, ma non troppo | Antonín Dvořák, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | F Major | 0 | 7B | 105 BPM | ||
6 Polyphonic Studies: No. 6, Concert Variations on the Irish Air "The Last Rose of Summer" | Heinrich Wilhelm Ernst, Maxim Vengerov | G Major | 1 | 9B | 100 BPM | ||
Raff: Cavatina in A-Flat Major, Op. 85, No. 3 | Joachim Raff, Itzhak Perlman | D Major | 2 | 10B | 100 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 100 BPM | ||
Piano Trio No. 3 in C Minor, Op. 101: Presto non assai | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | F Minor | 0 | 4A | 84 BPM |
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