Ruthie Henshall, Chicago Ensemble (London (1997)) made "Roxie - Part II" available on December 31, 1995. With this song being about 5 minutes long, at 5:06, "Roxie - Part II" by Ruthie Henshall, Chicago Ensemble (London (1997)) is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 23 in Chicago The Musical (New London Cast Recording (1997)) by New London Cast of Chicago The Musical (1997). Based on our statistics, Roxie - Part II's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Roxie - Part II by Ruthie Henshall, Chicago Ensemble (London (1997)) is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maria | Matt Cavenaugh | E♭ Major | 1 | 5B | 89 BPM | ||
The Day After That | Anthony Crivello, Kiss of the Spider Woman Original Cast Recording Ensemble | G Major | 2 | 9B | 85 BPM | ||
The Revolutionary Costume for Today | Christine Ebersole | D♭ Major | 3 | 3B | 117 BPM | ||
This Time Around | Ruthie Henshall | C Minor | 4 | 5A | 161 BPM | ||
Marta | Anthony Crivello, Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron | D♭ Major | 1 | 3B | 57 BPM | ||
With Anne on My Arm | A.J. Shively, Kelsey Grammer | A Minor | 2 | 8A | 143 BPM | ||
Back Where We Started | Andrew Halliday, Ruthie Henshall | F Major | 0 | 7B | 102 BPM | ||
Cell Block Tango | Ute Lemper, Rohan Seinor, Chicago Ensemble (London (1997)) | F Minor | 3 | 4A | 142 BPM | ||
The Crime of the Century | Lynnette Perry, Steven Sutcliffe, Conrad McLaren, Mike O'Carroll, Ragtime Ensemble | E♭ Major | 5 | 5B | 142 BPM | ||
Me and My Baby | Gwen Verdon | F Major | 3 | 7B | 139 BPM |
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