LENGTH
5:06
RELEASE DATE
December 31, 1995
TIME SIGNATURE
4
LOUDNESS
-18.08 dB
POPULARITY
Audio information that is featured on Roxie - Part II by Ruthie Henshall, Chicago Ensemble (London (1997)).
Acousticness
Energy
Liveness
Speechiness
Danceability
Instrumentalness
Loudness
Valence
Find songs that harmonically matches to Roxie - Part II by Ruthie Henshall, Chicago Ensemble (London (1997)). Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Funny Honey | Gwen Verdon, Richard Korthaze, Barney Martin | D♭ Major | 4 | 3B | 94 | ||
Don't Cry For Me Argentina | Elaine Paige | D♭ Major | 2 | 3B | 170 | ||
Somewhere - From 'West Side Story' | Michael Ball, Alfie Boe | D♭ Major | 3 | 3B | 82 | ||
Maybe This Time | Ruthie Henshall | D♭ Major | 3 | 3B | 78 | ||
The Music of the Night | John Owen-Jones | D♭ Major | 3 | 3B | 65 | ||
Pure Imagination | Douglas Hodge, Jack Costello, The Original London Cast Recording | D♭ Major | 2 | 3B | 73 | ||
Loving You | Original Broadway Cast Of 'Passion' | D♭ Major | 1 | 3B | 81 | ||
When You're Good to Mama | Marcia Lewis, David Warren-Gibson | D♭ Major | 2 | 3B | 80 | ||
You'll Never Walk Alone | Richard Rodgers, Il Divo, David Hernando | D♭ Major | 5 | 3B | 75 | ||
Razzle Dazzle | Henry Goodman, Chicago Ensemble (London (1997)) | D♭ Major | 1 | 3B | 112 | ||
There's No Business Like Show Business | Tom Wopat, Bernadette Peters | D♭ Major | 7 | 3B | 138 | ||
Rose's Turn | Imelda Staunton | D♭ Major | 5 | 3B | 108 | ||
It Needs Work | Randy Graff | D♭ Major | 2 | 3B | 143 | ||
The Music of the Night - From "Phantom of the Opera" | Michael Crawford, London Symphony Orchestra, Andrew Pryce Jackman | D♭ Major | 1 | 3B | 84 | ||
Too Darn Hot | Broadway Cast Recording | D♭ Major | 5 | 3B | 107 | ||
Cell Block Tango | Catherine Zeta-Jones, Susan Misner, Deidre Goodwin, Denise Faye, Ekaterina Chtchelkanova, Mya Harrison, Taye Diggs | D♭ Major | 3 | 3B | 125 | ||
One Hand One Heart (From West Side Story) | Larry Kert, Carol Lawrence, Leonard Bernstein, New York Philharmonic | D♭ Major | 3 | 3B | 88 | ||
Astonishing (From "Little Women") | Louise Dearman | D♭ Major | 3 | 3B | 86 | ||
New York, New York | Liza Minnelli | D♭ Major | 4 | 3B | 108 | ||
If I Loved You | Carousel - 1993 London Cast | D♭ Major | 1 | 3B | 84 | ||
The Music Of The Night | Andrew Lloyd Webber, Michael Crawford | D♭ Major | 1 | 3B | 82 | ||
There's No Business Like Show Business - From "Annie Get Your Gun" | Ethel Merman, Ray Middleton, William O'Neal, Marty May | D♭ Major | 3 | 3B | 135 | ||
Don't Cry For Me Argentina - From "Evita" | Patti LuPone | D♭ Major | 2 | 3B | 174 | ||
Carousel: You'll Never Walk Alone | Richard Rodgers, Oscar Hammerstein II, Lesley Garrett, John Harle, Grimethorpe Colliery Band | D♭ Major | 2 | 3B | 79 | ||
Send in the Clowns (Act Two) | Catherine Zeta-Jones, Alexander Hanson | D♭ Major | 1 | 3B | 171 | ||
Rose's Turn | Bernadette Peters | B♭ Minor | 3 | 3A | 104 | ||
H-A-P-P-Y / We'll Take a Glass Together | Brent Barrett, David Jackson, Danny Strayhorn, Michael Jeter, Grand Hotel Ensemble | B♭ Minor | 5 | 3A | 111 | ||
It's Not Where You Start | Barbara Cook | B♭ Minor | 3 | 3A | 113 |
This song is track #10 in Chicago The Musical (New London Cast Recording (1997)) by Ruthie Henshall, Chicago Ensemble (London (1997)), which has a total of 23 tracks. The duration of this track is 5:06 and was released on December 31, 1995. As of now, this track is currently not as popular as other songs out there. Roxie - Part II doesn't provide as much energy as other songs but, this track can still be danceable to some people.
Roxie - Part II has a BPM of 137. Since this track has a tempo of 137, the tempo markings of this song would be Allegro (fast, quick, and bright). Based on the tempo, this track could possibly be a great song to play while you are walking. Overall, we believe that this song has a fast tempo.
The key of Roxie - Part II is D♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.