Sándor Veress, Miklós Perényi made "Cello Sonata: III. Epilogo" available on July 15, 2014. The duration of Cello Sonata: III. Epilogo is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Cello Sonata: III. Epilogo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Miklós Perényi, Dénes Várjon's "Ligeti / Farkas / Veress / Liszt / Dohnanyi / Weiner / Mihaly: Hungarian Cello Music" album is number 9 out of 14. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Cello Sonata: III. Epilogo's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Cello Sonata: III. Epilogo by Sándor Veress, Miklós Perényi to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Quartet in F Minor, Op. 28: II. Adagio | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | D Major | 1 | 10B | 80 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM | ||
Fantaisies sur le nom de Sacher, for String Orchestra: VIII. | Philippe Hersant, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | E Minor | 0 | 9A | 105 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Sonata for Solo Cello: I. Dialogo (Allegro moderato) | Sándor Veress, Jean-Guihen Queyras, Alexandre Tharaud | D Major | 0 | 10B | 95 BPM | ||
A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM |
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