"Missa Gaudeamus: VII. Alleluia, venite ad me" by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire was released on November 7, 2006. The duration of Missa Gaudeamus: VII. Alleluia, venite ad me is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Missa Gaudeamus: VII. Alleluia, venite ad me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus's "Josquin Desprez, Vol. 2" album is number 8 out of 54. Missa Gaudeamus: VII. Alleluia, venite ad me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Gaudeamus: VII. Alleluia, venite ad me by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Pange Lingua: II. Gloria | Josquin des Prez, Choir of Clare College, Cambridge, Graham Ross, Sophie Woodhead, Henrietta Box, Laurence Booth-Clibborn, Laurence Harris | E♭ Major | 1 | 5B | 131 BPM | ||
A Long Way | Wayne Hubbard | A♭ Minor | 1 | 1A | 173 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Officium Defunctorum - Ad Matutinum | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM | ||
Cara cossa: Gagliarda, "La cara cossa" | Marco Dall'Aquila, Shirley Rumsey | C Major | 0 | 8B | 125 BPM | ||
Ecco la primavera | Francesco Landini, Early Music Consort Of London, David Munrow | D Minor | 4 | 7A | 177 BPM | ||
Rubum quem: Rubum quem | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | B Major | 1 | 1B | 176 BPM | ||
Ricercare XIV « Da Pacem » | Hieronimus Parabosco, Jordi Savall | D Minor | 1 | 7A | 117 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM |
Section: 0.6271920204162598
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