Casino Versus Japan's 'To Be Roomy' came out on January 27, 2004. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Casino Versus Japan's "Hitori + Kaiso (1998 - 2001)" album is number 6 out of 29. On top of that, United States appears to be the country where this track was created. In terms of popularity, To Be Roomy is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of To Be Roomy by Casino Versus Japan to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Where You End & I Begin | Jefre Cantu-Ledesma | C Major | 1 | 8B | 83 BPM | ||
329 15h | Bogdan Raczynski | D♭ Major | 10 | 3B | 93 BPM | ||
Time We Have | Steve Hauschildt | A Minor | 3 | 8A | 67 BPM | ||
disk prep calrec2 barn dance [slo] | Aphex Twin | D♭ Major | 1 | 3B | 76 BPM | ||
Times When I Know You'll Be Sad | Biosphere | C Minor | 1 | 5A | 144 BPM | ||
Line Extension | Oval | D♭ Minor | 4 | 12A | 109 BPM | ||
Giant Deflating Football | Mike & Rich | F Major | 5 | 7B | 96 BPM | ||
We Change the Frequency | Two Lone Swordsmen | A Minor | 6 | 8A | 142 BPM | ||
Through Friendly Waters | Kettel | B♭ Minor | 5 | 3A | 94 BPM | ||
Tobiume | Susumu Yokota | F♯ Major | 3 | 2B | 139 BPM |
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