- BPM
- 130
- Key
- E Major
- Camelot
- 12B
Cameron, Chopin: Tristesse (After Chopin's Nocturne, Op. 9 No. 2) - Frédéric Chopin, José Carreras, John Cameron, The Angel Orchestra of London Information
- Acousticness
- 96%
- Danceability
- 24%
- Energy
- 20%
- Instrumentalness
- 6%
- Liveness
- 34%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 6%
- Loudness
- -15.704 dB
Summary
"Cameron, Chopin: Tristesse (After Chopin's Nocturne, Op. 9 No. 2)" by Frédéric Chopin, José Carreras, John Cameron, The Angel Orchestra of London was released on March 1, 2009. With this song being about 5 minutes long, at 4:32, "Cameron, Chopin: Tristesse (After Chopin's Nocturne, Op. 9 No. 2)" by Frédéric Chopin, José Carreras, John Cameron, The Angel Orchestra of London is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "The José Carreras Collection". In this album, this song's track order is #32. Based on our statistics, Cameron, Chopin: Tristesse (After Chopin's Nocturne, Op. 9 No. 2)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cameron, Chopin: Tristesse (After Chopin's Nocturne, Op. 9 No. 2) BPM
With Cameron, Chopin: Tristesse (After Chopin's Nocturne, Op. 9 No. 2) by Frédéric Chopin, José Carreras, John Cameron, The Angel Orchestra of London having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Cameron, Chopin: Tristesse (After Chopin's Nocturne, Op. 9 No. 2) Key
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 89 BPM | |
 | Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | |
 | Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | |
 | Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | |
 | Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | |
 | 5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | |
 | Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | |
 | Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | |
 | Chopin: Nocturne No. 13 in C Minor, Op. 48 No. 1 | Frédéric Chopin, YUNDI | C Major | 1 | 8B | 87 BPM | |
 | Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5402085781097412
End: 0.5460498332977295