"Splinter Cell: Conviction" by Amon Tobin, Kaveh Cohen, Michael Nielsen, Andrew Skeet, London Philharmonic Orchestra was released on November 18, 2011. The duration of Splinter Cell: Conviction is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Splinter Cell: Conviction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Greatest Video Game Music". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Splinter Cell: Conviction is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Splinter Cell: Conviction by Amon Tobin, Kaveh Cohen, Michael Nielsen, Andrew Skeet, London Philharmonic Orchestra having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Final Test | Steve Jablonsky | G Major | 6 | 9B | 105 BPM | ||
The Fleets Arrive | Sam Hulick | C Major | 4 | 8B | 101 BPM | ||
Prelude to War | Bear McCreary | C Major | 4 | 8B | 110 BPM | ||
Agents Of Vengeance | Andrew Skeet | G Minor | 3 | 6A | 114 BPM | ||
Deep Pulse Extraction | Benji Merrison, Air Lyndhurst String Orchestra, Andrew Skeet | D Major | 7 | 10B | 102 BPM | ||
Blaze of Glory | Music Junkies | F Minor | 5 | 4A | 113 BPM | ||
Hypnotica | Thomas Bergersen, Two Steps from Hell | A Minor | 9 | 8A | 80 BPM | ||
A Future For The Krogan | Christopher Lennertz | B Minor | 4 | 10A | 96 BPM | ||
Skalitz 1403 | Jan Valta, Adam Sporka | A Major | 2 | 11B | 122 BPM | ||
The Heart Wants | Kerry Muzzey, The Chamber Orchestra Of London, Andrew Skeet | G Minor | 2 | 6A | 84 BPM |
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