Tom Waits's 'Eggs And Sausage (In A Cadillac With Susan Michelson)' came out on October 21, 1975. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Nighthawks At The Diner (Remastered)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Eggs And Sausage (In A Cadillac With Susan Michelson) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Eggs And Sausage (In A Cadillac With Susan Michelson) by Tom Waits having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Can't Wait To Get Off Work (And See My Baby On Montgomery Avenue) | Tom Waits | C Major | 1 | 8B | 72 BPM | ||
The Long Honeymoon | Elvis Costello & The Attractions | B♭ Major | 5 | 6B | 118 BPM | ||
The Beat Goes On | Giant Sand | A Major | 7 | 11B | 162 BPM | ||
There Would Be Hell to Pay | T Bone Burnett | A Minor | 5 | 8A | 96 BPM | ||
Baby Please Don't Go | Lightnin' Hopkins | A Major | 1 | 11B | 84 BPM | ||
Take Me | Karen Dalton | G Major | 3 | 9B | 131 BPM | ||
Free's | Bill Callahan | D Major | 2 | 10B | 83 BPM | ||
No One Was Like Vermeer | Jonathan Richman | D Minor | 7 | 7A | 122 BPM | ||
Awful Dream | Lightnin' Hopkins | E Major | 1 | 12B | 185 BPM | ||
Buena | Morphine | B♭ Minor | 5 | 3A | 96 BPM |
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