"Tallis: Lamentations of Jeremiah II - 2. Ghimel" by The Tallis Scholars, Peter Phillips was released on April 1, 2004. The duration of Tallis: Lamentations of Jeremiah II - 2. Ghimel is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Tallis: Lamentations of Jeremiah II - 2. Ghimel's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 74 in the song's album "Spem in Alium - The Tallis Scholars Sing Thomas Tallis (With 3 Bonus Tracks)". In this album, this song's track order is #49. Tallis: Lamentations of Jeremiah II - 2. Ghimel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Lamentations of Jeremiah II - 2. Ghimel by The Tallis Scholars, Peter Phillips having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
Motet "Queramus cum pastoribus" | Jean Mouton, Sistine Chapel Choir, Massimo Palombella | E♭ Major | 1 | 5B | 106 BPM | ||
Beata viscera Mariae Virginis | Pérotin, Cecilia Bartoli, Sistine Chapel Choir, Massimo Palombella | E Major | 0 | 12B | 181 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Viderunt omnes | Léonin, Pérotin, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 1 | 4B | 131 BPM | ||
Messiah, HWV 56 / Pt. 1: 15. Chorus: Glory to God in the highest | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 116 BPM | ||
O Radiant Dawn | James MacMillan, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | ||
Lux Aurumque | Eric Whitacre, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
Ave Maria | Igor Stravinsky, Gabrieli, Paul McCreesh | C Major | 2 | 8B | 130 BPM |
Section: 0.8687257766723633
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