Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann's 'Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 4, —' came out on January 1, 2016. Since Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 4, — is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 8 out of 25. On top of that, Germany appears to be the country where this track was created. The popularity of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 4, — is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 4, — by Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Slavonic Dances, Series II, Op. 72: Mazur - Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Karel Sejna | C Major | 2 | 8B | 84 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 8, — | Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann | D♭ Major | 2 | 3B | 106 BPM | ||
Spartacus Ballet Suite No. 2: II. Entrance of the Merchants, Dance of a Roman Courtesan, General Dance | Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra | C Major | 5 | 8B | 83 BPM | ||
Piano Concerto No. 1 "Scapegoat": Violente | George Lloyd, Martin Roscoe, BBC Philharmonic | D Minor | 2 | 7A | 133 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
Symphony No. 3 in D Minor: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler, Minnesota Orchestra, Osmo Vänskä | D Major | 0 | 10B | 82 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 7, Canzonetta | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | B♭ Major | 0 | 6B | 83 BPM | ||
Le disparu, FP 134 (Arr. Haginomori for Flute and Piano) | Francis Poulenc, Cocomi, Niu Niu | A Major | 0 | 11B | 72 BPM | ||
Jugendfeuer - Galopp | Laur. Rosenthal, Johann Strauss I, London National Philharmonic Orchestra, The Vienna Festival Orchestra, Laurence Rosenthal, Alfred Eschwe | A Major | 0 | 11B | 71 BPM |
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