"Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta. Andante" by Pyotr Ilyich Tchaikovsky, Leonid Kogan, Constantin Silvestri, Orchestre De La Société Des Concerts Du Conservatoire was released on January 1, 2001. Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta. Andante is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Tchaikovsky: Klavierkonzert Nr. 1, Op. 23 & Violinkonzert Op. 35". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta. Andante by Pyotr Ilyich Tchaikovsky, Leonid Kogan, Constantin Silvestri, Orchestre De La Société Des Concerts Du Conservatoire having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation V - Allegro moderato - Cadenza | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Sei sonate M.S. 27 (op.3) per violino e chitarra / Sonata n.1 - In A Major: Larghetto | Niccolò Paganini, Gil Shaham, Göran Söllscher | A Major | 1 | 11B | 142 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: III. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Perpetula, MS 66 (Arr. for Violin & Piano): I. Andante amoroso | Niccolò Paganini, Mario Hossen, Nadja Hoebarth | B♭ Major | 1 | 6B | 175 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Nielsen: Flute Concerto, FS 119: II. Allegretto un poco - Adagio ma non troppo - Tempo di Marcia | Carl Nielsen, Emmanuel Pahud, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 90 BPM | ||
Sylvia: Prelude: The Huntresses | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 2 | 5B | 80 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 104 BPM | ||
Sorochintsy Fair: Hopak (Arr. For Violin and Piano) | Modest Mussorgsky, Nathan Milstein, Georges Pludermacher | G Major | 2 | 9B | 138 BPM |
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