Claudio Monteverdi, Emmanuelle Haïm made "Monteverdi: L'Orfeo, favola in musica, SV 318, Act 5: Ritornello - Coro, "Vanne, Orfeo, felice e pieno"" available on 2004. With Monteverdi: L'Orfeo, favola in musica, SV 318, Act 5: Ritornello - Coro, "Vanne, Orfeo, felice e pieno" being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Emmanuelle Haïm's "Monteverdi: L'Orfeo" album is number 42 out of 80. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Monteverdi: L'Orfeo, favola in musica, SV 318, Act 5: Ritornello - Coro, "Vanne, Orfeo, felice e pieno" is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Monteverdi: L'Orfeo, favola in musica, SV 318, Act 5: Ritornello - Coro, "Vanne, Orfeo, felice e pieno" by Claudio Monteverdi, Emmanuelle Haïm to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Josephi, ZWV 14: No. 3 Et in terra pax | Jan Dismas Zelenka, Julia Lezhneva, Daniel Taylor, Jonathan Sells, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | B Minor | 2 | 10A | 89 BPM | ||
Weint nicht um meinem Tod | Johann Bach, Henri Ledroit, Ricercar Consort | D♭ Major | 3 | 3B | 114 BPM | ||
Das ist je gewißlich wahr, SWV 277 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 106 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM | ||
Madrigals, Book 8, SV 146–167: No. 16, Dolcissimo usignolo, SV 161 | Claudio Monteverdi, Cyril Costanzo, Hannah Morrison, Les Arts Florissants, Lucile Richardot, Miriam Allan, Paul Agnew | A Minor | 1 | 8A | 132 BPM | ||
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Ich weiss, dass mein Erlöser lebet | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 0 | 9B | 123 BPM |
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