Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra's 'Mozart: Don Giovanni, K. 527, Act 1 Scene 13: No. 10b, Aria "Or sai chi l'onore" (Donna Anna)' came out on 1997. The duration of Mozart: Don Giovanni, K. 527, Act 1 Scene 13: No. 10b, Aria "Or sai chi l'onore" (Donna Anna) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 1 Scene 13: No. 10b, Aria "Or sai chi l'onore" (Donna Anna)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Carlo Maria Giulini's "Mozart - Don Giovanni" album is number 24 out of 72. Mozart: Don Giovanni, K. 527, Act 1 Scene 13: No. 10b, Aria "Or sai chi l'onore" (Donna Anna) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 13: No. 10b, Aria "Or sai chi l'onore" (Donna Anna) by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Requiem in D Minor, K. 626: 8. Communio: Lux aeterna - Live | Wolfgang Amadeus Mozart, Karita Mattila, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Minor | 3 | 7A | 96 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: II. Adagio - Cadenza by Dejan Lazić | Dejan Lazić, Wolfgang Amadeus Mozart, Bergen Philharmonic Orchestra, Jan Willem de Vriend | D Major | 0 | 10B | 98 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
String Quartet No. 4 in C Major, K. 157: III. Presto | Eder Quartet | C Major | 2 | 8B | 81 BPM |
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