"Alexander Nevsky, Op. 78: III. The Crusaders In Pskov" by Sergei Prokofiev, London Symphony Chorus, London Symphony Orchestra, Claudio Abbado had its release date on January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Prokofiev: Alexander Nevsky; Scythian Suite; Lieutenant Kijé". In this album, this song's track order is #3. In terms of popularity, Alexander Nevsky, Op. 78: III. The Crusaders In Pskov is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alexander Nevsky, Op. 78: III. The Crusaders In Pskov by Sergei Prokofiev, London Symphony Chorus, London Symphony Orchestra, Claudio Abbado having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Le Prophete, Acte IV: No. 23, Marche du sacre. - Live | Giacomo Meyerbeer, Sir Mark Elder, London Symphony Orchestra | E♭ Major | 0 | 5B | 92 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Lohengrin, WWV 75 / Act II: Nun hört, dem Lande will er uns entführen | Richard Wagner, Peter Koves, Bojidar Nikolov, Franz Kasemann, Claudio Otelli, Hartmut Welker, Amy Linda Domaracki, Ingrid Sieghart, Senta Fischer, Elaine MacKillop, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 52 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Ride of the Valkyries (The Watchmen) | London Symphony Orchestra | G Major | 4 | 9B | 88 BPM | ||
Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, John Mauceri, London Symphony Orchestra | E Major | 0 | 12B | 170 BPM | ||
Symphony No. 5: IV. Adagietto: Sehr langsam | Gustav Mahler, London Symphony Orchestra, James DePreist | C Major | 2 | 8B | 127 BPM | ||
Prelude in C Sharp Minor, Op.3, No.2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic Orchestra, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM |