"Homenaje, "Le Tombeau de Claude Debussy" (version for piano): Homage to Claude Debussy" by Manuel de Falla, Marion Schaap was released on June 18, 1998. The duration of Homenaje, "Le Tombeau de Claude Debussy" (version for piano): Homage to Claude Debussy is about 3 minutes long, at 3:10. Based on our data, "Homenaje, "Le Tombeau de Claude Debussy" (version for piano): Homage to Claude Debussy" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 17 in Falla: Popular Spanish Suite / Piano Pieces / Harpsichord Concerto by Manuel de Falla, Various Artists, Brett Kelly. In terms of popularity, Homenaje, "Le Tombeau de Claude Debussy" (version for piano): Homage to Claude Debussy is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Homenaje, "Le Tombeau de Claude Debussy" (version for piano): Homage to Claude Debussy by Manuel de Falla, Marion Schaap is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Valses poeticos: No. 6. Sentimental Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM |
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