On January 1, 2012, the song "The Huntsman's Polka (French Polka), Op. 229" was released by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko. The duration of The Huntsman's Polka (French Polka), Op. 229 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Huntsman's Polka (French Polka), Op. 229's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Platinum Classics: 50 Best of Vienna Moments". In this album, this song's track order is #47. Furthermore, we believe that the track originated from Germany. In terms of popularity, The Huntsman's Polka (French Polka), Op. 229 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Huntsman's Polka (French Polka), Op. 229 by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | D Major | 3 | 10B | 169 BPM | ||
The Flight Of The Bumble-Bee, From "The Tale Of Tsar Saltan" | Alexander Gindin | G Minor | 2 | 6A | 100 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": II. Andante con moto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Raymonda, Act I: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 2 | 7B | 80 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 88 BPM | ||
Piano Sonata No.8 in C minor, Pathétique, Op. 13 : I. Grave - Allegro di molto e con brio | Nodar Gabunia, Nodar Gabunia | C Minor | 1 | 5A | 60 BPM | ||
Symphony No.101 in D major, The Clock : IV. Finale, Vivace | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 1 | 10B | 122 BPM | ||
Giselle: Act I: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 85 BPM | ||
Sonata No.1 in F major for Cello and Piano, Op. 5 No.1 : II. Allegro vivace | Igor Uryash, Sergei Slovachevsky | F Major | 1 | 7B | 140 BPM | ||
Le Lacdes Cygne (小天鵝之舞) | 純音樂 | G Major | 2 | 9B | 132 BPM |
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