Harry James made "I've Heard That Song Before" available on 1942. The duration of I've Heard That Song Before is about 3 minutes long, at 3:02. Based on our data, "I've Heard That Song Before" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Harry James's "Harry James & His Orchestra" album is number 10 out of 42. On top of that, France appears to be the country where this track was created. Based on our statistics, I've Heard That Song Before's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of I've Heard That Song Before by Harry James to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sing to Me | Bob Crosby | B♭ Major | 1 | 6B | 92 BPM | ||
I Can't Remember | Rudy Vallee and His Connecticut Yankees | B♭ Major | 1 | 6B | 120 BPM | ||
Shadow Waltz | Rudy Vallee and His Connecticut Yankees | G Major | 1 | 9B | 132 BPM | ||
I'll Buy That Dream (with Harry James & His Orchestra) | Kitty Kallen, Harry James | C Major | 2 | 8B | 123 BPM | ||
You're MY Little Pin-Up Girl | Betty Grable | F♯ Major | 4 | 2B | 89 BPM | ||
Don't Be That Way | Jimmy Dorsey & His Orchestra | C Minor | 5 | 5A | 170 BPM | ||
St. Louis Blues | Benny Goodman Sextet | G Major | 2 | 9B | 77 BPM | ||
Dear Mom | Sammy Kaye and His Orchestra, Frank Blake, Lloyd Gillion, Frank Strasek, Oscar Reach, Maury Cross, Charlie Wilson, George Brandon, Don Wallmark, Jerry Carr, Tommy Ryan, Howard Workman, Ernest Rudisill, Al Foster | F Major | 0 | 7B | 114 BPM | ||
Waitin' For the Train To Come In (with Harry James & His Orchestra) | Kitty Kallen, Harry James | E♭ Major | 3 | 5B | 86 BPM | ||
Little Brown Jug | Members Of The Glenn Miller Orchestra | D♭ Major | 2 | 3B | 77 BPM |
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