"Stabat Mater, R.621: 7. "Eja Mater" (Largo)" by Antonio Vivaldi, Michael Chance, The English Concert, Trevor Pinnock was released on January 1, 1997. The duration of Stabat Mater, R.621: 7. "Eja Mater" (Largo) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Stabat Mater, R.621: 7. "Eja Mater" (Largo)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Stabat mater; Nisi Dominus; Salve Regina by Antonio Vivaldi, Michael Chance, Monica Huggett, Lisa Beznosiuk, The English Concert, Trevor Pinnock. The song's track number on the album is #19 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Stabat Mater, R.621: 7. "Eja Mater" (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater, R.621: 7. "Eja Mater" (Largo) by Antonio Vivaldi, Michael Chance, The English Concert, Trevor Pinnock has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Stabat Mater, R.621: 7. "Eja Mater" (Largo) being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
Concerto For 2 Mandolins In G Major, RV 532: III. Allegro | Budapest Strings, Bela Sztankovitz, Zoltan Tokos, Antonio Vivaldi | D Major | 2 | 10B | 149 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM |
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