"Sonatina for Flute and Piano: II. Andante (1943)" by Henri Dutilleux, Soloists of the Accademia Nazionale di Santa Cecilia, Akane Makita, Andrea Oliva was released on 2012. With Sonatina for Flute and Piano: II. Andante (1943) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 11 in Dutilleux: Chamber Music with Piano by Henri Dutilleux, Soloists of the Accademia Nazionale di Santa Cecilia, Akane Makita. Sonatina for Flute and Piano: II. Andante (1943) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonatina for Flute and Piano: II. Andante (1943) by Henri Dutilleux, Soloists of the Accademia Nazionale di Santa Cecilia, Akane Makita, Andrea Oliva is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Places in New England: No. 1 The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) | Charles Ives, Orpheus Chamber Orchestra, Gilbert Kalish | A Minor | 0 | 8A | 75 BPM | ||
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
6 Bagatelles: No. 1, Allegro con spirito | György Ligeti, Berlin Philharmonic Wind Quintet | C Major | 1 | 8B | 92 BPM | ||
Violin Concerto “Adrano”: II. Cadenza - senza misura | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | E Major | 2 | 12B | 179 BPM | ||
Messiaen: Éclairs sur l'au-delà...: VII. Et Dieu essuiera toute larme de leurs yeux | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 93 BPM | ||
Sinfonietta, FP 141: IV. Finale | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Petit Air À Dormir Debout | Henri Dutilleux, Vittoria Quartararo | D Major | 4 | 10B | 161 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM |
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