Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Sénéchal, Orchestre Du Capitole De Toulouse made "Offenbach: La vie parisienne, Act 2: Dialogue. "Je vous en ferai, moi, des bottes" - Couplets. "Dans cette ville toute pleine de plaisirs" (Gardefeu, Alphonse, Frick, Gabrielle, Le Baron, La Baronne)" available on September 15, 2023. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 2: Dialogue. "Je vous en ferai, moi, des bottes" - Couplets. "Dans cette ville toute pleine de plaisirs" (Gardefeu, Alphonse, Frick, Gabrielle, Le Baron, La Baronne) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Offenbach: La vie parisienne, Act 2: Dialogue. "Je vous en ferai, moi, des bottes" - Couplets. "Dans cette ville toute pleine de plaisirs" (Gardefeu, Alphonse, Frick, Gabrielle, Le Baron, La Baronne) by Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Sénéchal, Orchestre Du Capitole De Toulouse having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | F Major | 1 | 7B | 91 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Offenbach: La belle Hélène: Overture (Allegro - Allegro non troppo - Allegro) | Jacques Offenbach, Marc Minkowski, Les Musiciens du Louvre.Grenoble | A Major | 2 | 11B | 82 BPM |
Section: 0.5476047992706299
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