"Chain 2: I. Ad libitum" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little was released on March 1, 2013. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little, Michael Collins's "Lutosławski: Symphony No. 1, Partita, Chain 2 & Preludia Taneczne" album is number 10 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Chain 2: I. Ad libitum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chain 2: I. Ad libitum by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Shakespeare, Op. 76: I. Introduction. Andante moderato "Zas, mrtvé postavy, mne oblétáte…" | Josef Bohuslav Foerster, Janacek Philharmonic Orchestra, Marek Štilec | G Major | 0 | 9B | 113 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Chantefleurs et Chantefables: VIII. L'angelique (The Angelica) | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe | B Minor | 0 | 10A | 84 BPM | ||
Der Schwanendreher - Concerto For Viola & Small Orchestra: 1. "Zwischen Berg und tiefem Tal" | Paul Hindemith, Daniel Benyamini, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 97 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
24 Preludes, Op. 11: Prelude in C-Sharp Minor, Op. 11, No. 10 (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Minor | 0 | 12A | 130 BPM | ||
6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | Claude Debussy, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Variasjoner over Med Jesus vil eg fara: IV. Var 3 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
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