"Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz)" by Christoph Willibald Gluck, Jascha Heifetz, Gil Sharon, Idith Zvi was released on June 27, 2014. The duration of Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) is about 3 minutes long, at 3:09. Based on our data, "Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Top 50 Most Popular Classical Violin". In this album, this song's track order is #41. Furthermore, we believe that the track originated from Netherlands. Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) by Christoph Willibald Gluck, Jascha Heifetz, Gil Sharon, Idith Zvi having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet / Arr Marsick : Thaïs : No.5 Meditation | Jules Massenet, Alexander Markov | E Minor | 2 | 9A | 97 BPM | ||
Praeludium Und Allegro (In The Style Of Gaetano Pugnani) | Fritz Kreisler, David Garrett, Alexander Markovich | E Minor | 2 | 9A | 125 BPM | ||
Symphony No. 2 in B-Flat major, D. 125: II. Andante | Franz Schubert, Günter Wand | A Minor | 3 | 8A | 168 BPM | ||
Violin Concerto in D Major, Op. 3 No. 12 "Il labirinto armonico": I. Allegro - Capriccio | Pietro Locatelli, Chloe Chua, Singapore Symphony Orchestra, Chan Yoong Han | D Major | 2 | 10B | 129 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Coro e Orfeo: Ah! Quale incognito -Men tiranne ah, voi sareste - Ah! Quale incognito | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester, RIAS Kammerchor | C Major | 0 | 8B | 70 BPM | ||
Bach, JS: Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande | Johann Sebastian Bach, Alexander Kniazev | D♭ Major | 0 | 3B | 68 BPM | ||
Marionnettes, Op. 29 | Anatoly Lyadov, Yoko Kikuchi | E♭ Major | 1 | 5B | 122 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM |
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