"5 Carols: No. 2, Out of Your Sleep" by Richard Rodney Bennett, Sarah Brailey, Elizabeth Baber Weaver, New York Polyphony was released on September 2, 2014. With 5 Carols: No. 2, Out of Your Sleep being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Sing Thee Nowell". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Sweden. In terms of popularity, 5 Carols: No. 2, Out of Your Sleep is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Carols: No. 2, Out of Your Sleep by Richard Rodney Bennett, Sarah Brailey, Elizabeth Baber Weaver, New York Polyphony having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jess Danger | Bev Saunders | E♭ Minor | 0 | 2A | 75 BPM | ||
Moses and Marco Polo Suite: Theme from "Moses" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | C Minor | 1 | 5A | 109 BPM | ||
The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
Renaissance Concerto: III. Recitative (After Monteverdi) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Entr'acte - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | C Major | 5 | 8B | 139 BPM | ||
Frenzy: The London Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic | C Major | 2 | 8B | 64 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
In a Monastery Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | F Major | 1 | 7B | 102 BPM | ||
Together - Instrumental Score | Marvin Hamlisch | D Major | 0 | 10B | 110 BPM | ||
Wedgwood Blue | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | B♭ Major | 2 | 6B | 128 BPM |
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