"Sonate, arie et correnti, Op. 3: Sonata IX detta "La Reggiana"" by Marco Uccellini, Nicholas McGegan, The Arcadian Academy was released on November 10, 1993. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Based on our statistics, Sonate, arie et correnti, Op. 3: Sonata IX detta "La Reggiana"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonate, arie et correnti, Op. 3: Sonata IX detta "La Reggiana" by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate, arie et correnti, Op.3, RISM A/I: U 14: Aria quinta sopra la Bergamasca | Marco Uccellini, Dorothee Oberlinger, Dmitry Sinkovsky | D Major | 2 | 10B | 139 BPM | ||
Concert XLIV: Tombeau les regrets - Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 111 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
12 Sonatas, Op. 16, Sonata prima: I. Allegro | Isabella Leonarda, Cappella Strumentale del Duomo di Novara | E♭ Minor | 1 | 2A | 115 BPM | ||
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Ruggiero | Tarquinio Merula, Jordi Savall | G Major | 3 | 9B | 148 BPM | ||
Trio Sonata in F Major, TWV 42:F6: I. Vivace | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Major | 0 | 9B | 119 BPM | ||
Sonate, correnti et arie, Op. 4: Corrente IV | Marco Uccellini, Romanesca, Andrew Manze | A♭ Minor | 0 | 1A | 116 BPM | ||
Il primo libro di canzone: Ciaccona | Andrea Falconieri, Jordi Savall | G Major | 2 | 9B | 67 BPM |
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