Wiener Philharmoniker, Riccardo Muti, James Morris, José van Dam, Francisco Araiza's 'Così fan tutte, Act 1, Scene 1: No. 3 Terzetto: Una bella serenata (Ferrando/Guglielmo/Don Alfonso)' came out on August 2, 2013. The duration of Così fan tutte, Act 1, Scene 1: No. 3 Terzetto: Una bella serenata (Ferrando/Guglielmo/Don Alfonso) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Così fan tutte, Act 1, Scene 1: No. 3 Terzetto: Una bella serenata (Ferrando/Guglielmo/Don Alfonso)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 6 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Così fan tutte, Act 1, Scene 1: No. 3 Terzetto: Una bella serenata (Ferrando/Guglielmo/Don Alfonso)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, Act 1, Scene 1: No. 3 Terzetto: Una bella serenata (Ferrando/Guglielmo/Don Alfonso) by Wiener Philharmoniker, Riccardo Muti, James Morris, José van Dam, Francisco Araiza to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Renaud Capuçon, Antoine Tamestit, Louis Langrée, Scottish Chamber Orchestra | C Minor | 1 | 5A | 91 BPM | ||
Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM |
Section: 0.7102386951446533
End: 0.7134039402008057