André De Shields, Hadestown Original Broadway Company, Anaïs Mitchell's 'Road to Hell (Reprise)' came out on June 7, 2019. With this song being about 5 minutes long, at 5:05, "Road to Hell (Reprise)" by André De Shields, Hadestown Original Broadway Company, Anaïs Mitchell is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Road to Hell (Reprise) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. In terms of popularity, Road to Hell (Reprise) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Road to Hell (Reprise) by André De Shields, Hadestown Original Broadway Company, Anaïs Mitchell having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mad Hatter | Kate Shindle, Wonderland Ensemble | E Minor | 5 | 9A | 98 BPM | ||
Good Girl Winnie Foster | Sarah Charles Lewis, Valerie Wright, Pippa Pearthree, Tuck Everlasting Original Broadway Cast Ensemble | F♯ Major | 3 | 2B | 98 BPM | ||
West of Words | Molly Gordon, Colton Ryan, Kim Blanck, Alice By Heart Original Cast Recording Company, Duncan Sheik | A Major | 2 | 11B | 123 BPM | ||
Right Hand Man | Heidi Blickenstaff, Brian D'Arcy James, John Cariani | D♭ Major | 4 | 3B | 147 BPM | ||
You Will Still Be Mine | Nick Cordero, Jessie Mueller | E♭ Major | 4 | 5B | 86 BPM | ||
Santa Fe (Prologue) | Andrew Keenan-Bolger, Jeremy Jordan | C Major | 2 | 8B | 125 BPM | ||
No More | Brian D'Arcy James, David Patrick Kelly | C Major | 3 | 8B | 137 BPM | ||
Ring of Keys | Sydney Lucas, Beth Malone | A Major | 3 | 11B | 138 BPM | ||
When the Chips are Down ("Songbird vs. rattlesnake...") [Intro] | André De Shields, Hadestown Original Broadway Company, Anaïs Mitchell | B♭ Minor | 4 | 3A | 95 BPM | ||
Sunday Morning | Denée Benton, Brittain Ashford, Grace McLean | A♭ Minor | 3 | 1A | 82 BPM |
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