Gioachino Rossini, Erich Leinsdorf's 'Il barbiere di Siviglia: Non è venuto ancora - Remastered' came out on 1958. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "Rossini: The Barber of Seville". In this album, this song's track order is #9. In terms of popularity, Il barbiere di Siviglia: Non è venuto ancora - Remastered is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Il barbiere di Siviglia: Non è venuto ancora - Remastered by Gioachino Rossini, Erich Leinsdorf having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Pilar Lorengar, Yvonne Minton, Luciano Pavarotti, Hans Sotin, London Symphony Chorus, London Symphony Orchestra, István Kertész | G Minor | 1 | 6A | 60 BPM | ||
Il viaggio a Reims, Act I: Sextet: Non pavento alcun periglio | Gioachino Rossini, Francisco Araiza, Katia Ricciarelli, Ruggero Raimondi, Lucia Valentini Terrani, Enzo Dara, Leo Nucci, Chamber Orchestra of Europe, Claudio Abbado | A♭ Major | 1 | 4B | 140 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Der fliegende Holländer: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Minor | 3 | 8A | 88 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Il barbiere di Siviglia / Act 1: Fredda ed immobile | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | A♭ Major | 2 | 4B | 83 BPM | ||
Haydn: Trumpet Concerto In E Flat - Iii Finale | Franz Joseph Haydn, Tine Thing Helseth | E♭ Major | 2 | 5B | 145 BPM |
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