- BPM
- 99
- Key
- G Major
- Camelot
- 9B
Don Juan Op. 20 - Richard Strauss, Minnesota Orchestra, Edo de Waart Information
- Acousticness
- 95%
- Danceability
- 16%
- Energy
- 10%
- Instrumentalness
- 88%
- Liveness
- 34%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -21.481 dB
Summary
"Don Juan Op. 20" by Richard Strauss, Minnesota Orchestra, Edo de Waart was released on November 8, 1999. Don Juan Op. 20 appears to be safe for all ages as it is not explicit. There are a total of 32 in the song's album "R.Straus - Orchestral Works". In this album, this song's track order is #2. In terms of popularity, Don Juan Op. 20 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Don Juan Op. 20 BPM
With Don Juan Op. 20 by Richard Strauss, Minnesota Orchestra, Edo de Waart having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Don Juan Op. 20 Key
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | E♭ Major | 3 | 5B | 87 BPM | |
 | Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | |
 | Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | |
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | |
 | Die schweigsame Frau, Op. 80, TrV 265: Anhiero gestatte ich mir, hochverehrliche Herren | Richard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Hermann Prey, Ingeborg Hallstein, Lilian Benningsen, Josef Knapp, Hans Hotter, Karl Christian Kohn | F♯ Major | 2 | 2B | 89 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.726099967956543
End: 0.7318177223205566