Aaron Davis, Margaret Atwood, George Koller's 'Blizzard (Version for Narrator & Double Bass)' came out on March 1, 2024. With Blizzard (Version for Narrator & Double Bass) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zombie Blizzard by Aaron Davis, Margaret Atwood, Measha Brueggergosman, Hannaford Street Silver Band. The song's track number on the album is #3 out of 20 tracks. Based on our data, Canada was the country where this track was produced or recorded. In terms of popularity, Blizzard (Version for Narrator & Double Bass) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Blizzard (Version for Narrator & Double Bass) by Aaron Davis, Margaret Atwood, George Koller has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Blizzard (Version for Narrator & Double Bass) being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introspection #1 | Eric Legnini Trio | B♭ Major | 2 | 6B | 67 BPM | ||
Born In Toronto (feat. Rich Kidd) | Maestro Fresh Wes, Rich Kidd | F♯ Major | 9 | 2B | 96 BPM | ||
Winter Jasmine for Flute and Piano | Jasmine Choi & Hugh Sung | F Major | 0 | 7B | 132 BPM | ||
Oh Come, All Ye Faithful | Playing To Pitch In | D Major | 5 | 10B | 98 BPM | ||
Mass In Blue, Op. 28: III. Credo | Will Todd, Bethany Halliday, Gareth Huw, Jim Fleeman, Jeremy Backhouse | E♭ Minor | 3 | 2A | 114 BPM | ||
Carol of the Bells for Orchestra | Dnipro Symphony Orchestra, Natalia Ponomarchuk, Patrick Dillery | E Minor | 1 | 9A | 182 BPM | ||
I tua wohl | Kärntner Harfenklang | A Minor | 1 | 8A | 61 BPM | ||
Que Sera Sera | Holly Cole | A Major | 1 | 11B | 140 BPM | ||
Når jola kjem (When Yule-Tide Comes) [Arr. P. Grainger in E-Flat Major for Saxophone Ensemble] | Carl Gustav Sparre Olsen, Percy Grainger, J. Michael Holmes, Phil Pierick, Joyce Griggs | D Major | 4 | 10B | 125 BPM | ||
Perception of Oneness | George Koller, Daniel May | G Major | 1 | 9B | 86 BPM |
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