Erik Satie, Philippe Entremont's '3 Gymnopédies, No. 2: Lent et triste' came out on 1949. The duration of 3 Gymnopédies, No. 2: Lent et triste is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. 3 Gymnopédies, No. 2: Lent et triste's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 204 in Erik Satie & Friends by Erik Satie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 3 Gymnopédies, No. 2: Lent et triste is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 3 Gymnopédies, No. 2: Lent et triste by Erik Satie, Philippe Entremont is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, M.60: 2. Petit Poucet: Très modéré | Maurice Ravel, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | D Minor | 1 | 7A | 72 BPM | ||
9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Endecha y Oremus | Francisco Tárrega, Andrés Madariaga | D Minor | 0 | 7A | 133 BPM | ||
Préludes - Book 2, L.123: 7. La terrasse des audiences du clair de lune | Claude Debussy, Pierre-Laurent Aimard | F♯ Major | 0 | 2B | 70 BPM | ||
Kreisleriana, Op. 16: 7. Sehr rasch | Vladimir Horowitz | E♭ Major | 2 | 5B | 73 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Klavierstuch F-Dur K.33B | Wolfgang Amadeus Mozart, Stanislav Bunin | F Major | 1 | 7B | 182 BPM | ||
Impresiones intimas: 1. Planys I | Federico Mompou, Alicia de Larrocha | A Minor | 0 | 8A | 109 BPM | ||
Gnossiennes: No. 6 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 70 BPM | ||
Satie / Orch. Ducros: Gymnopédie No. 1 | Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Minor | 0 | 6A | 170 BPM |
Section: 0.770902156829834
End: 0.776681661605835