Orchestra of the Americas's 'Hymn to Red October [From The Hunt for Red October]' came out on July 15, 1994. The duration of Hymn to Red October [From The Hunt for Red October] is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Hymn to Red October [From The Hunt for Red October]'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of War Is Hell: Battle Music From The Movies by Orchestra of the Americas. The song's track number on the album is #4 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Hymn to Red October [From The Hunt for Red October] is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Hymn to Red October [From The Hunt for Red October] by Orchestra of the Americas has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hymn to Red October [From The Hunt for Red October] being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme From Jaws | Cedar Lane Soundtrack Orchestra | G Major | 1 | 9B | 134 BPM | ||
Ankunft in Stalingrad | Enjott Schneider | B Major | 3 | 1B | 82 BPM | ||
Breaking The Sound Barrier | Bill Conti | C Major | 4 | 8B | 72 BPM | ||
Mr. Banks Is Discharged - Instrumental | Richard M. Sherman, Robert B. Sherman | F♯ Major | 0 | 2B | 82 BPM | ||
Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
The Militia Passes By | Rob Lane | E Minor | 5 | 9A | 113 BPM | ||
The Shadow | Super Heros Invasion | B Major | 3 | 1B | 108 BPM | ||
Chopper | Basil Poledouris | F Major | 4 | 7B | 124 BPM | ||
The Bourne Identity Main Title | John Powell | G Major | 4 | 9B | 81 BPM | ||
Steiner's Theme | Ernest Gold | D♭ Minor | 3 | 12A | 141 BPM |
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