Antonín Dvořák, Martin Stadtfeld made "Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2)" available on April 2, 2021. The duration of Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) and no other songs are present in the album, we classify this track as a single. In terms of popularity, Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) by Antonín Dvořák, Martin Stadtfeld is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | ||
Nocturne No.18 in F Major, H.62 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 72 BPM | ||
A la manière de. . . Chabrier | Maurice Ravel, Werner Haas | C Major | 0 | 8B | 87 BPM | ||
Poetic Tone Pictures, Op.85: XIII. On the Holy Mountain | Antonín Dvořák, Leif Ove Andsnes | D♭ Major | 1 | 3B | 90 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | ||
Étude No. 3: Ballade | Marie Awadis | B Major | 0 | 1B | 94 BPM | ||
The Well-Tempered Clavier, Book I: Prelude No. 13 in F-Sharp Major, BWV 858 | Johann Sebastian Bach, Martin Stadtfeld | F♯ Minor | 0 | 11A | 83 BPM |
Section: 0.650702714920044
End: 0.6566073894500732