Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2)
Antonín Dvořák, Martin Stadtfeld
Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2)
2:55 April 2, 2021
BPM
104
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) - Antonín Dvořák, Martin Stadtfeld Information

Acousticness
100%
Danceability
53%
Energy
1%
Instrumentalness
95%
Liveness
6%
Loudness
55%
Speechiness
7%
Valence
54%
Popularity
Loudness
-26.736 dB

Summary

Antonín Dvořák, Martin Stadtfeld made "Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2)" available on April 2, 2021. The duration of Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) and no other songs are present in the album, we classify this track as a single. In terms of popularity, Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) BPM

The tempo marking of Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) by Antonín Dvořák, Martin Stadtfeld is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Melody, Op. 21, No. 9 by Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinMelody, Op. 21, No. 9Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinB♭ Major16B79 BPM
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) by Cyril Scott, Richard Jenkinson, Benjamin FrithLullaby, Op. 57 No. 2 (Arr. for Cello & Piano)Cyril Scott, Richard Jenkinson, Benjamin FrithD Major010B91 BPM
Nacht und Träume, Op. 43 No. 2, D. 827 by Franz Schubert, Harriet Krijgh, Magda AmaraNacht und Träume, Op. 43 No. 2, D. 827Franz Schubert, Harriet Krijgh, Magda AmaraE Major112B80 BPM
Nocturne No.18 in F Major, H.62 by John Field, Elizabeth Joy RoeNocturne No.18 in F Major, H.62John Field, Elizabeth Joy RoeF Major07B72 BPM
A la manière de. . . Chabrier by Maurice Ravel, Werner HaasA la manière de. . . ChabrierMaurice Ravel, Werner HaasC Major08B87 BPM
Poetic Tone Pictures, Op.85: XIII. On the Holy Mountain by Antonín Dvořák, Leif Ove AndsnesPoetic Tone Pictures, Op.85: XIII. On the Holy MountainAntonín Dvořák, Leif Ove AndsnesD♭ Major13B90 BPM
Berceuse, Op. 16 by Gabriel Fauré, Cocomi, Niu NiuBerceuse, Op. 16Gabriel Fauré, Cocomi, Niu NiuA Minor18A129 BPM
Chansons grises: V. L'heure exquise by Reynaldo Hahn, Mischa Maisky, Daria HovoraChansons grises: V. L'heure exquiseReynaldo Hahn, Mischa Maisky, Daria HovoraD Major010B83 BPM
Étude No. 3: Ballade by Marie AwadisÉtude No. 3: BalladeMarie AwadisB Major01B94 BPM
The Well-Tempered Clavier, Book I: Prelude No. 13 in F-Sharp Major, BWV 858 by Johann Sebastian Bach, Martin StadtfeldThe Well-Tempered Clavier, Book I: Prelude No. 13 in F-Sharp Major, BWV 858Johann Sebastian Bach, Martin StadtfeldF♯ Minor011A83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.650702714920044

End: 0.6566073894500732