"Central Park in the Dark" by Charles Ives, Michael Tilson Thomas, Chicago Symphony Orchestra was released on 1985. Since Central Park in the Dark is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charles Ives, Michael Tilson Thomas, Chicago Symphony Orchestra, Concertgebouworkest's "Michael Tilson Thomas Conducts Ives" album is number 6 out of 46. Central Park in the Dark is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Central Park in the Dark by Charles Ives, Michael Tilson Thomas, Chicago Symphony Orchestra to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Symphony No.1 in D minor, Op.13: 2. Allegro animato | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | F Major | 0 | 7B | 94 BPM | ||
Dance Preludes *: No. 1. Allegro molto | Witold Lutosławski, Charles West, Susan Grace | B Major | 3 | 1B | 100 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
Symphony No. 4 in C Minor, Op. 43: II. Moderato con moto | Dmitri Shostakovich, London Symphony Orchestra, Gianandrea Noseda | C Major | 0 | 8B | 138 BPM | ||
String Quartet No. 4, Op. 25, "Suite": III. Adagietto: Adagio | Alexander von Zemlinsky, Escher String Quartet | E♭ Minor | 0 | 2A | 76 BPM | ||
Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting"": II. Largo - Allegro (con slugarocko) | Charles Ives, Hilary Hahn, Valentina Lisitsa | B♭ Major | 2 | 6B | 120 BPM | ||
Montgomery Variations: VI. Lament | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 87 BPM |
Section: 0.7066929340362549
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