"Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights" by Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1987. With this song being about 5 minutes long, at 5:18, "Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights" by Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 52 in the song's album "Prokofiev: Romeo & Juliet, op.64". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights by Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse d'Augustine - From "Le château de ma mère" | Vladimir Cosma, Orchestre de la Suisse Romande | F Major | 5 | 7B | 84 BPM | ||
Waltz | Aram Khachaturian, Efrem Kurtz, Philharmonia Orchestra | C Major | 4 | 8B | 182 BPM | ||
Fauré / Transc. Büsser: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | F Minor | 1 | 4A | 83 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter | D Major | 2 | 10B | 66 BPM | ||
Les Indes galantes, RCT 44, Act III: Danse du grand calumet de la paix en rondeau pour les sauvages | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 2 | 11A | 97 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Trio | Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra | D Minor | 1 | 7A | 144 BPM |
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