Ludwig van Beethoven, Adiemus, Karl Jenkins, The Adiemus Singers, London Philharmonic Orchestra's 'Symphony no. 7 in A Major, Op.92, 2. Allegretto 'Allegrettango' (arr. Jenkins)' came out on 2003. Symphony no. 7 in A Major, Op.92, 2. Allegretto 'Allegrettango' (arr. Jenkins) is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 3 out of 16 in Adiemus V - Vocalise by Daniel Hope, Zürcher Kammerorchester, Charl du Plessis Trio, Astor Piazzolla, Sarah Christ, Adiemus, Karl Jenkins. In terms of popularity, Symphony no. 7 in A Major, Op.92, 2. Allegretto 'Allegrettango' (arr. Jenkins) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony no. 7 in A Major, Op.92, 2. Allegretto 'Allegrettango' (arr. Jenkins) by Ludwig van Beethoven, Adiemus, Karl Jenkins, The Adiemus Singers, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat mater: IV. Lament | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Major | 1 | 8B | 170 BPM | ||
A Shine Over Vosporos | Evanthia Reboutsika | D Minor | 3 | 7A | 84 BPM | ||
Legend of Zelda: Suite | Koji Kondo, Andrew Skeet, London Philharmonic Orchestra | G Minor | 4 | 6A | 108 BPM | ||
Gypsy | Ronan Hardiman | E Minor | 5 | 9A | 114 BPM | ||
Women of Ireland | Joanie Madden | F♯ Minor | 1 | 11A | 120 BPM | ||
Modigliani | Guy Farley | G Minor | 3 | 6A | 101 BPM | ||
Turandot / Act 2: Tre enigmi m'hai proposto | Giacomo Puccini, Luciano Pavarotti, Sir Peter Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | C Minor | 3 | 5A | 94 BPM | ||
Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: II. Largo | Johann Sebastian Bach, Johan Ullén, Christian Svarfvar, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 131 BPM | ||
Blow The Wind / Pie Jesu | Jocelyn Pook, Melanie Pappenheim | E♭ Major | 1 | 5B | 80 BPM | ||
Fantasia On a Theme By Thomas Tallis | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 102 BPM |
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